Benghazi – The fifth edition of the “Huroofi” exhibition by visual artist Ali Al-Qarqouri opened in the city of Benghazi, drawing a large crowd that reflects the growing interest in visual arts and Arabic calligraphy.
This year’s exhibition is distinguished by the artist’s attempt to merge architecture with modern visual arts, introducing Arabic letters as a primary visual element in the paintings. While some pieces may include lines of poetry or Quranic verses, the main focus is on abstracting the Arabic letter and presenting it in an abstract artistic form, detached from its direct meaning.
In a statement to a WAL correspondent, Al-Qarqouri explained that he used a variety of scripts, including Thuluth, Diwani, Farsi, Sunbuli, free-form, and abstract calligraphy, focusing on visual aesthetics and artistic abstraction without adhering to traditional rules.
This year’s exhibition also featured new works in the art of carpet making, where Arabic letters were integrated into the weaving to become interior decor pieces. He emphasized the potential for using Arabic calligraphy in furniture, clothing, curtains, and even windows, including light breakers and latticework (shraibiyat), thereby creating a visual identity inspired by Arab heritage.
Al-Qarqouri expressed his satisfaction with the turnout on the opening day, confirming that the exhibition will conclude on Thursday with a one-hour workshop for Arabic calligraphy enthusiasts, aimed at promoting artistic culture among youth and new talents.
The “Huroofi” exhibition is considered one of the most prominent annual art events that highlights the evolution of visual arts and the potential of the Arabic letter in modern and diverse trends.