Benghazi – The social comedy play “Cafe Ciao” continues its run in Benghazi. It confirms that serious theatrical work can still address current societal issues. The play uses an artistic language that combines entertainment and a message. It also raises deep questions about human transformations in the digital age.
Writer Ahmed Bashir Al-Aila commented on the play’s successful premiere. He stated that all elements contributed to its success. He considered the stage production a benchmark work. The directorial vision integrated perfectly with the acting, scenography, management, and organization. He affirmed that every detail was precisely placed. This included actors’ movements, lighting, and soundscapes. These elements gave the show a cohesive rhythm. They also added visual and intellectual appeal.
Director Meftah Badi leads the work. He guided the team with a conscious vision. This allowed individual creativity within a disciplined group framework. Ahmed Bashir Al-Aila authored the script. He crafted a social comedy treatment. It reveals reality without masks. It also addresses the impact of social media on human relationships. Furthermore, it examines individual identity.
Miloud Al-Omrani stars as “Nouri Ciao.” He portrays a character reflecting the human struggle. This struggle is between simple reality and the dream of an ideal virtual image. Ayman Nahoul embodies “Fathi Zaria” with a sarcastic spirit. His role reveals the contradictions of popular society. This society interacts with the digital world. Howaida Al-Shukri plays “Hamida Galaxy” strikingly. She personifies an individual’s attraction to the allure of online fame.
Omar Al-Zawi stands out as “Misbah Shasha.” This pivotal character represents a dangerous model. He exploits people’s needs and secrets for personal gain. Through this role, the play highlights data theft and cyber extortion. It also addresses emotional manipulation via fake accounts. Additionally, it shows the exploitation of information in election campaigns. Khalid Al-Barghathi also features as “Hafeez Habra.” Abdul Salam Al-Darsi plays “Madawi.” Actress Barika Al-Zallawi portrays “Old Tuha.” Other cast members include Ayman Al-Saaiti, Fawzi Al-Ferjani, Salah Al-Warfali, Ashraf Al-Awami, Mohammed Al-Obaidi, Fathi Al-Tajouri, and Omar Qawiya.
Technically, Awad Al-Fitouri handled the scenography. Omar Qawiya completed the set design. These elements helped portray the contrast. This was between the popular neighborhood of the characters and the noisy virtual space. The virtual space tempts them to detach from their reality. Mays Al-Jabali composed the music. It expressed the rhythm and acceleration of the era. Kholoud Al-Kawafi served as assistant director. She coordinated artistic and organizational details.
“Cafe Ciao” raises a fundamental question about social and information security. Are our data safe? It calls for rethinking our relationship with smartphones. These devices now govern the details of our daily lives. The play reveals how illusion can create false worlds. It shows how seeking acceptance and admiration can lead to losing one’s true identity.
The play’s performances will continue throughout Ramadan. They will be held at the Popular Theater for Acting and Music in Benghazi. Artist Al-Tayeb Al-Tira manages the theater. Al-Barghathi Company for Building and Health Materials sponsors the event. Resala Media Services Company provides media sponsorship. The increasing public turnout highlights the importance of this artistic presentation. It combines purposeful comedy with ethical warning. It affirms that theater remains a mirror of society. It also serves as an alarm for its awareness. It urges the audience to protect their privacy. It encourages them to live as their true selves. They should avoid digital falsification.